Another deeply satisfying show, this time from Chicago, with Marquis (trumpet) and his excellent four back-up musicians (sax, vibes, bass, drums).
Jazz, which is only seriously listened to by about 1-2% of the population, remains the ultimate music genre for illustrating the possibilities of counterpoint in a dramatic, soul-satisfying way.
Apart from whoever is soloing a melody, each of the other musicians ‘harmonizes’ according to their instrument, becoming, in effect, melodies on their own which complement the lead instrument at a given moment.
And the colors and configurations are astounding; indeed, music to the ear, the mind, and very much the soul and spirit of listeners. Like a deep, warm head massage.
No, there is nothing quite like good contemporary jazz. Hill’s new album is called Modern Flows Vol. 2 an includes some rap poetry (none of which was featured except on the opening tune via an iPad introduction.
Each of his players is strong, but Joel Ross is the rhythm player who stirs the drink, especially when the rhythm section is turned loose. He is a dynamic virtuoso with body English to match.
Another impressive first-class show at the Yardbird in the company of my son with red wine, Perrier, and popcorn to boot on a nice fall evening.