“Ode to Jackson Pollock”, mixed media
“Ode to Autumn”, digital pic
“The peace which passeth understanding”, digital pic
“Ode to Jackson Pollock”, mixed media
“Ode to Autumn”, digital pic
“The peace which passeth understanding”, digital pic
Ever notice when you’re opening round pill containers, how one, periodically, makes a break for it, not wanting to be swallowed whole by the taker.
No different than dogs making a break for it.
The universe continues to line up.
So many pills, dogs, and patterns; so little time to record, or share here.
(connecting image: old woman with white hair)
I continue to see facsimiles of her (and my Dad–who passed in 1998–periodically from some some shots of David Suchet as Poirot–see below image) when least expected hither and yon. The attached image from a tv program. Previously, I have seen her at the symphony in the park, in a Victoria tea shop, and on a Westjet coming home from Victoria. ‘Spittin’ images’.
The dead, especially those of family, will continue to ‘haunt’ us years afterward. The dead are always with us one way or another and serve to remind us of their once living presences which somehow continue in physical reality as long as we’re here to remember.
A Suchet Poirot with a passing resemblance to my late Dad (only distortion basically being the moustache ends):

Our resident squirrel sweeps the outside tray to get at the sunflower seeds after a heavy snowfall.
(The movies with snow flying are even better.)
Pringles releases a tv commercial using Charles Darwin to shill its chips.
(Transfer technique: You’ll be a great discoverer and scientist if you eat Pringles? A brainier crisp?)
(1967/gr. 12: ripe for major language acquisition, reading, literature, poetry, and Hamlet)
(likewise, ready for performing in public; first musical aggregation–operetta cast party)
Timing, especially good timing.
Coming into the new year having just read Thomas Hardy’s romantically tragic The Return of the Native.
A grade 12 poetry unit with a super anthology featuring many of the classic English poems: Keats’ big two odes and Wordsworth’s “Tintern Abbey” with their flow of spirit, soulfulness, and consciousness of Beauty and the infinite in Nature.
Followed by a solid relevant immersion in a chaser of Hamlet.
There was simply no way back, what with my simultaneous awareness of great lyrics in folk and folk rock music: Dylan, Simon and Garfunkle, Lightfoot.
Simultaneously lining up with the height of my high-school writing (a memorable piece for the school newspaper on a hootenany) and two acting performances (the amusing butler in The Importance of Being Earnest, the ‘straight’ mayor in The Red Velvet Goat) and two musical performances (as the comic Usher in Gilbert and Sullivan’s Trial by Jury and playing reflective Simon and Garfunkle songs for an Alienation show at Manitoba Theatre Centre) co-written by two writer-friends.
Language, words, music, and drama had all bubbled up together in that memorable 6 month run.
I was marked from that point on to start a BA in English at the new University of Winnipeg, later training to become a high school English teacher at the University of Alberta.
And the musical public performances would continue up to 2002 with several groups which I organized and was the leader of.
And the poetry-writing, begun in 1967 at U of W would eventually find its way and bubble up in the 1980s, through many significant developments up to and including today.
(Down to today, 55 years later, still writing/publishing poems and blog entries)

Wanna-be new head of the party Pierre Poilievre calls Trudeau “a fascist psychopath”. Whatever flaws Trudeau has and mistakes he’s made, he is not “a fascist psychopath”. The PCs lost credibility when they backed the trucker convoy.
Trudeau saved Ottawa and sent the rednecks packing. He was right. The PCs were wrong and their new leader, like the gun-totin’ redneck interim leader, seals the deal. Like the GOPs, they are no longer a credible Canadian party. They are Trumpians/GOPs in PC clothing; based on polls, they already support a real fascist psychopath–Trump.
ps/ These daze if any Canadian politician is a “fascist psychopath”, it’s madman Kenney, desperately trying to save his job before the leadership review, by overreaching right, left, and centre.
flagrantly goes after Sohi and Edmonton mask bylaw this morning.
Everyone must line up.
So much for independence in Alberta.
So much for real Freedom in Alberta.
Mindless stroke of a pen stuff: “Hands have no tears to flow”–Dylan Thomas
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Friday-Saturday-Sunday COVID results:
In that time, 1,435 cases were confirmed across the province or an average of 478 per day. Currently, there are 9,188 active cases.
With 7,393 tests conducted over the weekend, the positivity rate was 19.4 per cent. (BTW/Hinshaw used to say below 5% was a good number.)
1,224 Albertans in hospital due to COVID-19. Of those, 83 were in intensive care units. “Sure thing, the pandemic’s over, Kenney. You know ‘better’ than facts, truth, and physical reality. So randomly run roughshod over Edmonton and Edmontonians. They’re troublemakers who didn’t vote for you.”
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Doublethink/doublespeak:
Reverse messaging right out of Orwell.
He, similarly, accuses municipalities of politicizing masks as he politically interferes in local government and politicizes masking in Edmonton.
(Oh, and love Shandro and Madu while you’re at it, y’all. The rules and laws don’t apply to them.)
A brand-new album of 13 original songs, two years in the making, ably assisted on harmonies and acoustic guitar by Ari Hest, and 9 other crack musicians. Judy plays the main piano on all tracks but one (12 string acoustic).
Reviews have been unanimously stellar; she is in terrific voice, comparable to the ’60s albums. The songs are uniformly strong to excellent; no weak cuts. The use of echo is outstanding and her voice has never been better: ethereal, soft, and warm throughout the album.
Each song is a moment of being from her storied life, rendered in precise poetic imagery and rhyme (she uses 4-line stanzas). She tells about her alcoholism demons, her many love affairs, her Greenwich Village days, her Colorado youth, the beauty of Hawaii, a near-tragic driving incident (done as a rocker), the celebrated Catholic Trappist monk Thomas Merton’s death, the paintings of the English Romantic artist Turner, her T.B. episode in Arizona, an indigenous reservation, and a Colorado blizzard in the mountains.
Spellbound is easily her best, most complete album since her late 1960s Wildflowers and Who Knows Where the Time Goes LPs. It is a profoundly soulful and spirited tour de force from beginning to end, lyrically and musically. I would not be surprised if she wins a Grammy later this year for a totally unexpected artistic success at the improbable ripe age of 82. Highly recommended for fans and all folkies.
And, incidentally and amazingly, she is already on an international tour all this year. (Sadly, no Canada dates so far.)