Auto Reflex/Remarkable Heroism

The 80-year-old do-gooder Red Deer man, who stopped to help a Vancouver Island woman having car trouble in the dark, then pushed her off the road as a vehicle careened directly toward them.

According to family comments, he was a very unselfish guy, the kind who holds store doors open for others.                                                                                                                                                                                                                                                                                                (In a world where more and more people seem to care only about themselves and much less about others–especially strangers, I wonder how common or rare this kind of heroism is today.)                                                                                                                                                                                                                                                                                                                    Just a ‘small’ news item about the personal choices people make in emergencies and crises amidst unexpected, certain death.

In this case, an unselfish existential choice of a sudden highway hero in a strange land.

                                                                                                                                                                  In that instant, this man confirmed his core values, the record of his past life-choices, his essential altruistic nature, and made a personal choice that was firmly true to his nature, full of significant meaning and purpose fulfilled.

                                                                                                                                                                  In that blindingly fast, tragic accident, the man made an instinctive, truly heroic existential choice.

                                                                                                                                                                And, thus, an ordinary, yet significant human individual left behind his most indelible signature/mark on our absurd, unpredictable, and weirdly chaotic world.

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The Trump Tyrant Poem (as prophesied by Shelley)

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”
Why are the noses missing from Egyptian statues? | Kemet Expert
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Percy Bysshe Shelley at His Most Inspired: “To a Skylark” (1820)

Percy Bysshe Shelley | English Romantic Poet & Philosopher | Britannica

To a Skylark

Hail to thee, blithe Spirit!
Bird thou never wert,
That from Heaven, or near it,
Pourest thy full heart
In profuse strains of unpremeditated art.

Higher still and higher
From the earth thou springest
Like a cloud of fire;
The blue deep thou wingest,
And singing still dost soar, and soaring ever singest.

In the golden lightning
Of the sunken sun,
O’er which clouds are brightening,
Thou dost float and run;
Like an unbodied joy whose race is just begun.

The pale purple even
Melts around thy flight;
Like a star of Heaven,
In the broad day-light
Thou art unseen, but yet I hear thy shrill delight.

Keen as are the arrows
Of that silver sphere,
Whose intense lamp narrows
In the white dawn clear,
Until we hardly see, we feel that it is there.

All the earth and air
With thy voice is loud,
As, when night is bare,
From one lonely cloud
The moon rains out her beams, and Heaven is overflowed.

What thou art we know not;
What is most like thee?
From rainbow clouds there flow not
Drops so bright to see,
As from thy presence showers a rain of melody.

Like a poet hidden
In the light of thought,
Singing hymns unbidden,
Till the world is wrought
To sympathy with hopes and fears it heeded not:

Like a high-born maiden
In a palace-tower,
Soothing her love-laden
Soul in secret hour
With music sweet as love, which overflows her bower:

Like a glow-worm golden
In a dell of dew,
Scattering unbeholden
Its aërial hue
Among the flowers and grass which screen it from the view:

Like a rose embowered
In its own green leaves,
By warm winds deflowered,
Till the scent it gives
Makes faint with too much sweet those heavy-winged thieves.

Sound of vernal showers
On the twinkling grass,
Rain-awakened flowers—
All that ever was
Joyous, and clear, and fresh—thy music doth surpass.

Teach us, Sprite or Bird,
What sweet thoughts are thine:
I have never heard
Praise of love or wine
That panted forth a flood of rapture so divine.

Chorus Hymeneal,
Or triumphal chant,
Matched with thine would be all
But an empty vaunt—
A thing wherein we feel there is some hidden want.

What objects are the fountains
Of thy happy strain?
What fields, or waves, or mountains?
What shapes of sky or plain?
What love of thine own kind? what ignorance of pain?

With thy clear keen joyance
Languor cannot be:
Shadow of annoyance
Never came near thee:
Thou lovest: but ne’er knew love’s sad satiety.

Waking or asleep,
Thou of death must deem
Things more true and deep
Than we mortals dream,
Or how could thy notes flow in such a crystal stream?

We look before and after,
And pine for what is not:
Our sincerest laughter
With some pain is fraught;
Our sweetest songs are those that tell of saddest thought.

Yet if we could scorn
Hate, and pride, and fear;
If we were things born
Not to shed a tear,
I know not how thy joy we ever should come near.

Better than all measures
Of delightful sound,
Better than all treasures
That in books are found,
Thy skill to poet were, thou scorner of the ground!

Teach me half the gladness
That thy brain must know,
Such harmonious madness
From my lips would flow
The world should listen then, as I am listening now.

………………………………..
Living on Earth: BirdNote®: Skylark – With Aretha Franklin
I still remember studying this poem in grade 12 (1967) and learning the many similes and metaphors. This remains one of the most beautiful, inspired, spiritual, lofty poems ever writ.
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Where would we all be without

common sense, rational and critical thinking, commonly accepted rules, decency, and the benefits of civilization, kindness, and looking out for others?

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Life is and has often been mostly about

day-to-day survival, even survival in the moment.

A meteorite crashes through your roof and ends up on a pillow by your head.

A toddler catches measles and is one of the unfortunates who dies from it.

On and on, in our very fragile, ever-precarious lives from birth to death.

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A lot of social ‘life’ these daze

consists of online trolls ‘outing’ others who do things differently or who hold different positions or values from them.

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Our Annual Skipping-the-Oscars Classic-Movie Evening

(Since my wife and I haven’t been inside a theatre since the 2000s.)

This year we’ll be re-watching arguably the best, most popular film adaptation of a W. Somerset Maugham novel.

The Razor’s Edge

“The fact that a good many people believe something is no guarantee of its truth.”

“You see, money to you means freedom; to me, it means bondage.”

Always interesting to come back to for a glimpse of Larry, the central character, who pursues a life-long quest for higher, unconventional meaning and purpose. Too, the various other limited characters–the shallow, conventional Isabel who can’t control Larry and who marries for money; Elliott, her snob-uncle, whose surface/appearance-oriented shallowness is repeatedly and humorously emphasized; Sophie–a decent woman who tragically loses her husband and child and then slips into alcohol and opium addiction and promiscuity; the limited, rich, but then poorer Gray who at least appreciates the second chance Larry gives him after the former’s breakdown; and even the Maugham-narrator who, though a writer, an accurate social observer, and fan of Larry’s, nonetheless, lacks his passion and active life-engagement.

……………………………………………

Larry Explains Himself:

“I wish I could make you see how much fuller the life I offer you is than anything you have a conception of. I wish I could make you see how exciting the life of the spirit is and how rich in experience. It’s illimitable. It’s such a happy life. There’s only one thing like it, when you’re up in a plane by yourself, high, high, and only infinity surrounds you. You’re intoxicated by the boundless space. You feel such a sense of exhilaration that you wouldn’t exchange it for all the power and glory of the world.”

–To Isabel, his disappointed, conventional, rejected fiancé in the novel The Razor’s Edge

……………………………………………..

Ultimately, the book is about a reflective do-good outsider, who is far more interesting and morally finer than the limited materialists and socialites with whom he starts out with in Chicago, notably the scheming Isabel who loses him forever after he confronts her with responsibility for Sophie’s death. Given the fate of Sophie, the childish nastiness of Isabel, the simplicity of Gray, and the limitations of the Maugham-narrator, Maugham suggests that life can be unfair, tragic, hypocritical, deceptive, misfocused on making money, limited, and limiting except for those with consciousness and awareness (like the narrator) and for those with more moral purity and idealism (like Larry).

……………………………………………….

The famous 1940s film version is, incidentally, a good adaptation and well-acted with Tyrone Power as Larry and Herbert Marshall as Maugham. Anne Bancroft won a Best Supporting Actress Academy Award for her role as a likable, yet pathetic Sophie.

……………………

(after AA evening re-viewing:

Well, of course, it was 1946, just after WW II, and producer Zanuck would have insisted on playing up the romance, melodrama (in Paris), and variety of interesting women characters in Larry’s life. BTW/ Power and Gene Tierney were absolutely gorgeous stars to look at and his scenes were always special because of his projected charisma and the fact that Larry is the centre and protagonist of this very crowded narrative. He was very convincing, charismatic, and sincere in his thoughtful speeches and aspirations. In my mind, he is/was Larry, essentially.

“I only wanted to suggest to you that self-sacrifice is a passion so overwhelming that beside it even lust and hunger are trifling.”

“I happen to think we’ve set our ideal on the wrong objects; I happen to think that the greatest ideal man can set before himself is self-perfection.”

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By the sheer number of European castles

and guns in America, you can see that, historically, man has long been a barbaric creature prone to wars, violence, and destruction.

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You know we’re living in “1984” when

workplace surveillance becomes a widespread reality.

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Jupiter with ‘moon/s’, as it looked Wed. eve. here….

I’m sure the James Webb telescope could do much better than these instant Canon renderings!

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