There’s no place like home for the holidays.

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Snow Bunny at Christmas

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I Love Blue Snow

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3 year-olds like Play-Doh.

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A 3 Year-Old Connecting

What he called “connections”.

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Lawrence of Arabia Lives!

Or is it a family member playing Joseph in a Christmas play?

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Christmas is

for kids.

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“The Devil and Daniel Webster”

is an American classic story by Stephen Vincent Benet that I read in my grade 12 prose anthology back in 1967, which at that time was already 30 years old. With the decline of public interest in classics, American history, and religion, this is a charming, amusing morality tale which is largely no longer remembered.

Jabez Stone, an early hard-luck New Hampshire farmer, makes a bargain with the Devil exchanging rights to his soul for material prosperity. It’s a bargain as old as Christopher Marlowe’s Tragedy of Dr. Faustus and Goethe’s Faust with the tricky part coming when the Devil comes to collect. In Benet’s story, he is defended by a popular lawyer of the day Daniel Webster, who outwits the Devil and saves Stone.

The story is punchy and memorable, and after Benet first published it in 1937, it was turned into a popular movie in 1941. Benet co-wrote the screenplay and was happy with the result as he got to expand the details, characters, and humor. There is more emphasis on the changes Stone goes through, his mother and wife are both expanded, and numerous area residents add to the plot and themes. One clever touch is the Devil sending a damned woman Belle to work for the Stones after they have a baby and continue to prosper. Belle distracts Jabez and becomes his mistress, driving a wedge between him, his wife and family, and his better self. As well, the scene-stealing performances by Walter Huston as the Devil and by Edward Arnold as Daniel are not to be missed.

The black and white movie, which runs 106 mins. in a nice highly-recommended Criterion package with extras, has many special effects and the settings create much more atmosphere and suspense than the original story. Special effects such as the square dance and the wild dance at the Stone mansion as well as the set-piece trial remain strangely haunting. and frightening for younger audiences. And the AA- winning soundtrack of Bernard Herrmann, Hitchcock’s collaborator, forms an eerie, weird audio background.

The Devil and Daniel Webster movie has been restored and looks generally great despite instances of periodic lines. It is amazing that the restorers were able to save this worthy film classic from years of neglect and damage. (ps/If it’s possible, try reading the story before the movie to increase your appreciation of the adaptation.)

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*A world of non-stop change

continues as always. With much more distraction factored in thanks to the phones, computers, tv, and social media. Most people lead non-stop distracted lives now without much stability and permanence. No doubt people’s preference for distraction over common sense, reflection, and thinking, especially of the critical variety, creates even more chaos in people’s lives.

Bringing the conversation back to the importance of individual choices, values, and beliefs in directing how one responds to the chaos, confusion, messiness, and madness of today. Ultimately, individuals have to assume responsibility for their own lives, the ways in which they cope and adapt in fulfilling themselves and realizing their potentials. No one else can turn the last tricks to survival, sane living, and self-actualization.

One needs, again, to make one’s own choices without distractions and without constantly trying to curry favor and approval from imagined, ‘fantasy’ others one imagines are more important and significant than self. No gurus or mentors are necessary for this process. One can figure out things on one’s own. One can follow one’s own bliss without being limited by others or even self. One, ultimately, can free oneself and bless oneself to find true liberation, contentment, and focused living. And it’s worth remembering that the worst chains are the “mind-forged manacles” (Blake) we place upon ourselves, doing it to ourselves.

Authorship has long been incorrectly projected on others and societal approval too much in modern times. The result is a profound, unnecessary alienation of individual from self.

Many people don’t really have a clue who they really are despite all the images they communicate to others. Many people do not truly live deep and spiritually in this commercialistic, materialistic society. They often lead death-in-life existences chasing after money and things as if these guaranteed the way to a meaningful life. There is a profound sense of ‘lostness’ to the lonely crowd. Anyone who is not centered in self with self-knowledge, viable common sense and positive values will be one of the lost, floating thru daze without much purpose, consequence, or meaning.

And yet all or most of the answers simply lie within, very near. But it takes certain acts and practices of consciousness, particularly self-consciousness, to free oneself, the individual self. The simple act and choice of not being distracted without perspective. the practices of thinking, reading, paying attention, meditation, and reflection. The most that we can learn, grow from, and benefit from comes from one’s own experience and knowledge–the significant information we glean from our curiosity and studies of self, others, and the world. In that–wisdom, perspective, and the emergence of deep daily focus and deeper living.

 

(Above, the first truly literary classic about non-stop change and modern chaos besetting the lost, alienated individual–Lewis Carroll’s  Alice’s Adventures in Wonderland, 1865)

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A Warm Sept. Evening, 1975

was a rare opportunity for us to go see a vocal group who’d written many memorable songs through the ’60s and ’70s. They had just released a new synth-driven album entitled Main Course and were playing its songs along with their older radio hits. They were the Brothers Gibb (Barry, Robin, Maurice) aka The Bee Gees.

What a night with all the old hits with Barry and vibrato-voiced Robin trading songs and stanzas; the privilege of seeing how they made their sound and who did what vocal parts:
New York Mining Disaster 1941
To Love Somebody
Holiday
Massachusetts
Words
I’ve Gotta Get a Message to You
I Started a Joke
First of May
Lonely Days
How Can You Mend a Broken Heart?
Run to Me.

And then the revelation of “Jive Talkin'” (the first hit of their comeback) and “Nights on Broadway.” And suddenly a mirror ball above them began spinning, shooting lights all over the old Jubilee Auditorium, and they took us all for a trip with a dog to “The Edge of the Universe”. Absolute magic!

Little did we know that night that they would go on to record even bigger hits with Barry’s ‘other’ high voice:
You Should Be Dancing
Stayin’ Alive
How Deep Is Your Love
Night Fever
Too Much Heaven
Heartbreaker (which Dionne Warwick made a hit)
Islands in the Stream (which Kenny and Dolly did likewise)
This Is Where I Came In.

What a catalogue! Well, now Maurice and Robin are long gone and Barry remains at 71. But the music lives on on the CD shown above from Polydor. (Highly recommended.) And I will never forget the Bee Gees’ amazing harmonies and voices 43 years later…

Nobody gets too much heaven no more
It’s much harder to come by
I’m waiting in line
Nobody gets too much love anymore
It’s as high as a mountain
And harder to climb…
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