The Poem-a-Day Series, Poem #38

And so the long-time influence of Cohen eventually permeated my songwriting when I composed this ditty in the ’80s. I tried to include the pathetic pathos of Cohen’s early humorous songs like “One of Us Cannot Be Wrong” in which he casts himself as the anti-hero schnook chasing one impossible woman or another.

Though I came by the subject matter honestly from all the movie theatres I once frequented from the 1950s to about 2015 or so when I stopped going to what-have-become cinematic playgrounds. At any rate, there is nothing quite like the smell of popcorn when one enters a theatre building. These days, here, we periodically relive that smell during a game or movie.

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The Poem-a-Day Series, Poem #37

Block 1912 - Southwest Edmonton - Edmonton, AB

Block 1912, Old Strathcona, Edmonton in the 1990s. It used to have a stage at the back and I can remember being involved in a number of readings here, including a special one with Spiritus in which we performed my poem for voices: “Nordicity”.

I used to spend a lot of time here, otherwise. I would come for lunch or a nosh with friends after a Princess Theatre show.  The coffee and food were good. There were large paintings on the wall. There was a section of international newspapers on a scroll rack which you could remove and read at your table. It was my favorite go-to place.

They even phoned me once to return me my wallet when I dropped it there once. Daya, the owner of this family business, was a nice personable guy. When he sold the place, I became friends with the optimistic new owner who had plans for the place to move it into the 21st century. I’ve been there once since it was darkened and totally remodelled, but the old sunny ambience is long gone.

Poetry readings. Anybody that goes to them will tell you that just about any subject gets covered and the poets often delve into the hearts and minds of people. There is that kind of intimacy about readings, often stirring memories and forgotten moments, desires, and unfinished personal life business. Virginia Woolf’s quote pretty much sums up what’s possible at readings. I’ve never failed to see people brought closer or palpably moved by poetry readings.

I will dedicate this publication to Daya and the many memories of my old poetry collaborator the late Dean McKenzie, who sadly/gloriously passed in 2013. He is the man with the beard, of course.

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Beauty

 

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Dial-a-Meditation: ‘Basics’ (continued)–part 3


(Posted on June 10, 2015 by rdavies
Some of the earliest blog meditations about basic perspectives. From Nov & Dec 2012.)

**To find an entry, locate a month and year on right-side menu first, then scroll to entry date

Epiphany–Nov (2) 2012

A Need for Play–Nov (5) 2012

The Importance of Daily and Existential Choices–Nov (7) 2012

Acceptance–Nov (7) 2012

Proof: On Being There for Others–Nov (10) 2012

Living Large–Nov (16) 2012

Why Literature?–Nov (18) 2012

Rare/st–Nov (25) 2012

The Newcomer–Nov (26) 2012

William Blake Speaking–Dec (2) 2012

Technology: Three Further Takes on Four Daze–Dec (4) 2012

A Meander–Dec (5) 2012

Recalling a Blithe Spirit–Dec (8) 2012

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Dial-a-Meditation: The Essais of Richard Davies (part 2)


(Posted on June 10, 2015 by rdavies
The ‘Basics’ meditations archive continued. )

**To find an entry, locate a month and year on right-side menu first, then scroll to entry date.

Of Dreams, Dreaming, and the Realization of Dreams (and Desires)–Oct (3) 2012

Of Dreams and Relationships–Oct (3) 2012

Of Passions–Oct (8) 2012

On Being Open to Love–Oct (17) 2012

Open-Heartedness and Intimacy–Oct (23) 2012

The Best Freedoms?–Oct (23) 2012

Of Imagination and Creativity–Oct (24) 2012

Poetry in an Unpoetic Age–Oct (30) 2012

In the Knowing–Oct (31) 2012

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Dial-a-Meditation: A ‘Basics’ Index (part 1)

(Posted on June 10, 2015 by rdavies
From the first two months of the blog. Getting one’s bearings. Very basic frameworks, perspectives, and recurring themes.)

**To find an entry, locate a month and year on right-side menu first, then scroll to entry date.

Individual Process, Briefly— Aug. (24) 2012

On the Necessity of Being an Individual–Aug (24) 2012

Conferring the Meanings of One’s Own Life–Aug (24) 2012

Consciousness–Aug (26) 2012

Connected Consciousness–Aug (29) 2012

Connected and ‘Removed’ Aug (30) 2012

Presence and Non-presence–Aug (30) 2012

Process, Context, and Choice–Sept (2) 2012

Life Possibilities–Sept (6) 2012

Moments of Being–Sept (10) 2012

Life as a Play: Of Performances and Roles–Sept (16) 2012

Of ‘Missing Pieces’–Sept (16) 2012

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The Movie Reviews of Richard Davies

(Posted on May 27, 2020 by rdavies)

I taught film during my 30 year career as a senior high ELA teacher and later worked as a film classifier over 3 years for the Province of Alberta. I am also a film aficionado and film collector. The following are reviews I have done as blog entries for Tothineownselfbetrue.ca. Most of them do not appear on Netflix.

Village of the Damned (based on John Wyndham’s The Midwich Cuckoos): May 25/20
San Francisco: May 10/20
I Never Sang for My Father: Apr. 25/20
All About Eve: Apr. 1/20
Barney’s Version: Feb. 23/20
Gandhi: Feb. 13/20
The Devil’s Disciple: Feb. 8/20
The Grapes of Wrath: Jan. 28/20
The Naked Edge: Jan. 26/20
The Muppet Christmas Carol: Jan. 6/20
Lady and the Tramp: Jan. 2/20
Straight, No Chaser: Dec. 22/19
The World of Henry Orient: Nov. 23/19
Gimme Shelter: Nov. 22/19
A Man for All Seasons: Nov. 17/19
Far from the Madding Crowd: Nov. 10/19
The Night of the Iguana: Nov. 8/19
Zelig: Oct. 6/19
Our Man in Havana: Oct. 5/19
84 Charing Cross Road: Oct. 4/19
Defending Your Life: Aug. 24/19
The Limey: Aug. 22/19
Whisky Galore: July19/19
Skyfall: June 20/19
Junior Bonner: May 20/19
Sunday Bloody Sunday: May 19/19
The Eyes of Orson Welles: May 16/19
Wuthering Heights (1970) Apr. 27/19
All the King’s Men (1949) Apr. 26/19
Brighton Rock: Apr. 21/19
No Direction Home (Dylan): Apr. 3/19
How Sweet the Sound (Baez): Apr. 3/19
Witness for the Prosecution: Mar. 2/19
Saturday Night and Sunday Morning: Mar. 1/19
A Room with a View: Feb. 25/19
I Am Not Your Negro (James Baldwin): Feb. 21/19
The Americano: Feb. 17/19
Tafelmusik: House of Dreams: Feb. 16/19
The English Masters: Blake: Jan. 17/19
How Art Made the World tv series: Jan. 10/19
An Inconvenient Truth: Dec. 22/18
A Christmas Carol & It’s a Wonderful Life: Dec. 20/18
The Devil and Daniel Webster: Dec. 16/18
An Incident at Vichy: Nov. 27/18
The Crucible: Nov. 16/18
Howards End: Nov. 11/18
West Wind: Vision of Tom Thomson: Oct. 22/18
Small Time Crooks: Sept. 22/18
Cries and Whispers: Sept. 19/18
Satchmo: Sept. 16/18
The Secret Agent: Sept. 16/18
Heart of Darkness: Sept. 16/18
The Louvre: Aug. 21/18
Away from Her: Aug. 12/19
A Matter of Life and Death: Aug. 12/18
A Bridge Too Far: July 21/18
Wuthering Heights (1939): July 18/19
The Man Who Shot Liberty Valence: July 3/18
Autumn Sonata: June 28/18
The Human Factor: June 20/18
The Sea Gull: June 14/18
Clarence Darrow: Apr. 17/18
The Prize: Apr. 12/18
Vincent van Gogh: A New Way of Seeing: Mar. 31/18
Crime and Punishment (1958): Mar. 24/18
The Golden Age of Comedy: Mar. 22/18
A Brief History of Time: Mar. 14/18
St. Pat’s: 3 Recommended Films: Mar. 12/18
Another Woman: Mar. 11/18
1984 (1956): Mar. 3/18
Death on the Nile: Feb. 12/18
Capote: Feb. 2/18
The Human Comedy: Feb. 1/18
Smiley’s People tv series: Jan. 29/18
Fast, Cheap, and Out of Control: Jan. 22/18
The Doctor’s Dilemma: Jan. 19/18
Yet Another Film List: Jan. 15/18
Suspicion: Jan. 12/18
Shadow of a Doubt: Jan. 12/18
Brideshead Revisited tv series: Jan. 12/18
Richard II: Jan. 11/18
Measure for Measure: Jan. 10/18
End of the Affair (original) Jan. 10/18
Spectre: Jan. 10/18
Tinker, Tailor, Soldier, Spy tv series: Dec. 19/17
Wings of Desire: Dec. 6/17
Last Orders: Nov. 25/17
All Is Lost: Nov. 12/17, Jan. 23/14, Oct. 28/14
Michelangelo: Self Portrait: Oct. 11/17
Reversal of Fortune: Sept. 24/17
Love and Death: Sept. 23/17
The Farthest: Voyager in Space: Sept. 23/17
Life and Times of Allen Ginsberg: Sept. 20/17
Casino Royale (Craig): July 28/17
Walt Disney: American Experience: July 22/17, Sept. 15/15
The Merchant of Venice: June 22/17
Klute: June 19/17
The Legendary White Stallions: May 25/17
Doctor Faustus: May 7/17
The Wayward Bus: Apr. 28/17
Blowup: Apr. 3/17
Wild Strawberries: Mar. 24/17
The Luck of the Irish: Mar. 16/17
O Lucky Man!: Mar. 13/17
Barabbas: Mar. 9/17
Anatomy of a Murder: Mar. 7/17
Philip Glass doc: Mar. 3/17
Joni Mitchell: Painting with Words and Music: Mar. 2/17
The Diving Bell and the Butterfly: Feb. 21/17
Frenzy: Jan. 25/17
1967, ’71,’72 Top Movies: Jan. 23/17
The Third Man: Jan. 3/17
On Her Majesty’s Secret Service: Sept. 4/16
Our Mutual Friend: July 18/16
David Copperfield: Mar. 4/16
Not as a Stranger: Feb. 29/16
Gosford Park: Feb. 20/16
The Tempest: Jan. 28/16
The Trials of Oscar Wilde: Jan. 13/16
The Spanish Earth (Hemingway): Jan. 8/16
All Quiet on the Western Front: Nov. 5/15
Come Back to the 5 and Dime, Jimmy Dean, Jimmy Dean: Oct. 30/15
The Innocents: Oct. 21/15
Separate Tables: Oct. 10/15
The Great Gatsby (1949): Oct. 1/15
This Gun for Hire: Sept. 27/15
The Red Pony: Sept. 26/15
Beckett: Sept. 25/15
Macbeth (1948): Sept. 15/15
The Devils: Sept. 15/15
Route 66 tv series: Sept. 8/15
A Separate Peace: Aug. 30/15
Cry, the Beloved Country (Poitier): Aug. 28/15
Day for Night: Aug. 21/15
Victory (Conrad’s): Aug. 15/15
Hud: Aug. 9/15
I Am Steve McQueen doc: Aug. 1/15
Nobody’s Fool (1994): July 27/15
Lord Jim: July 23/15
A Master Builder: July 22/15
Sons and Lovers: July 17/15
I’ll Be Me (Glen Campbell): June 29/15
Welles bio doc: June 12/15
Murder on the Orient Express: May 8/15
Netflix piece: Apr. 9/15
Altman doc: Apr. 6/15
Life Itself (Ebert): Mar. 31/15
Boyhood: Feb. 14/15
Edison doc: Feb. 3/15
Civilisation tv series: Jan. 16/15
The Fox: Nov. 25/14
Who Has Seen the Wind: Nov. 22/14
’60s movies: Nov. 22/14
Voyage Round My Father: Nov. 15/14
And Then There Were None: Nov. 14/14
The Romantic Englishwoman: Nov. 7/14
Charade (1963): Nov. 7/14
Hollywood Ending: Nov. 3/14
Black Like Me: Oct. 31/14
Netflix piece: Sept. 27/14
Compulsion: Aug. 27/14
The Desperate Hours: Aug. 24/14
The King in the Car Park doc: Aug. 22/14
A New Kind of Love: Aug. 21/14
Heaven Knows Mr. Allison: Aug. 16/14
Darling: Aug. 13/14
Kirk Douglas doc: Aug. 4/14
The Fugitive Kind: July 27/14
Falstaff (Chimes at Midnight): July 24/14
Sweet Bird of Youth: July 22/14
Manhattan Murder Mystery: July 20/14
The Misfits: June 16/14
My Dinner with Andre: June 13/14
The Razor’s Edge (original): June 11/14
La Dolce Vita: Apr. 5/14
War and Peace (Russian): Mar. 6/14
Shoulda Won Oscars list: Mar. 1/14
The Roman Spring of Mrs. Stone: Feb. 2/14
Revisiting Movies: A List: Jan. 4/14
A Top Film List: Jan. 4/14
Kenneth Branagh’s Macbeth: Oct. 17/13
March of the Penguins: Mar. 13/13

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The Poem-a-Day series, Poem #36

(A salute to Poe’s greatest and most popular poem. It is pretty automatic to mention the words “heaven”, “dream”, and “nevermore” when responding to this poem. Regardless of the substance abuse problems the poet had, one is always struck by the dreamy and nightmarish qualities to his work, both in his poems and short stories. In this poem, I tried to capture Poe’s state of mind emerging from this poem, “Annabel Lee”, and others. I also tried to capture the sound of Poe’s poems: its rhymes, rhythms, and repetitions; these connoting his circular frustrations and built-in psychological traps.

I will just add that Dore’s illustrations are effective in teaching the poem to a high school English class, as is a good reading aloud of the poem; Basil Rathbone’s reading is quite appropriately haunted and haunting.

In fact, this Poe audio collection is a must-have for serious Poe fans. Arguably, his best work is brought to life.

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Canada’s Supreme Court has lost its common sense and credibility

with the voluntary drunk intoxication excuse for murderers.

Imagine. You kill someone, then start boozing yourself into oblivion. And then you are not responsible for your actions. Sounds like a win-win all the way around for would-be killers.

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The Poem-a-Day Series, Poem #35

 

(DL, hands-on, filming the Irish storm sequence in Ryan’s Daughter)

(DL showing Robert Mitchum, of all actors, ‘how to stand and touch’)

Large epic landscape movies with real extras. A master cinematographer-director; super ‘camera eye’. And maybe, Hitchcock and Welles aside, one of most controlling auteurs of the golden age of movies.

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