Cultural Appropriation: As Common as Poutine

Lots o’ folks running around spouting the new catchphrase as if it’s something really new. But if you go back in history (not that anybody does these daze except to use it to make complaints in order to wheedle reparations), to say the time of the ancient Greeks, it was one of the first cultures which used warfare to create an empire in the Mediterranean. Many other cultures were subjugated in the making of Greece into a notable early Western civilization. And later, the Romans would appropriate what they wanted of the Greek gods, culture, and methods, just changing the names.

Cultural appropriation ran amok during the Dark Ages as Norsemen and other groups overran European countries; Spain was overrun by the Moors with that country eventually adopting and assimilating much of Moorish culture. In England, the influence of the Norsemen and the French fed into England which appropriated many words, ways, and customs of these two peoples.
And so on…

T.S. Eliot said that each writer learns from and is influenced by previous poets and writers. Randy Bachman has said that songwriters ‘steal’ from each other which is ok as long as the con is not presented as completely as their own work–something George Harrison ran into trouble with on “My Sweet Lord”–a ‘subconscious plagiarism’ of the Chiffons’ “He’s So Fine”.

Copying, borrowing, and appropriating are part of the long history of civilizations, cultures, the sciences, and arts. People learn from the past and have been influenced by those who have gone before. Models and examples being what they are anyway.

It only remains to say that creators sometimes get deservedly pissed off when a rip is direct and no acknowledgement is offered. Or when the portrayal is stereotypically insulting as in the case of W.P. Kinsella’s native stories.

Cultural appropriation happens and culture gets spread in the process. But humankind seems to have ‘voted’ at least in actual practice. It has chosen free use and free expression of whatever subject matter is available, even if it is part of someone’s culture, and objections are raised. It is just way too difficult and impossible to put legal borders and limits around any cultural identity, practices, even language.

Today’s news story is about Quebec claiming that English-Canada has appropriated poutine, which shows you how ridiculous cultural appropriation can get! Especially when maple syrup has been used for centuries by non-French people without a whimper previously from Quebec.

……………………….

In any case, examples of cultural appropriation would make a long list:

James Joyce using aspects of Homer’s Odyssey

Paul Simon appropriating African music on Graceland

T.S. Eliot ‘stealing from’ over 50 other cultural sources in The Waste Land

Phil Collins and Genesis borrowing The Beatles’ sound for “That’s All”

Bruce Cockburn appropriating native subject matter to write “Stolen Land”

On and on….So much for all of Western civilization and much media, book, and arts culture.

There is no bottom to the whirlpool maelstrom logic of cultural appropriation fanatics. Their reasoning won’t stand up to reality, the world, its history, and current cultural practices. An impossible practice to change or eradicate.

The e-world has, in any case, taken a pronounced turn into further freedom quite apart from all the Brexiting and Trump-limiting going on. The masses have voted, by and large, for as much freedom as possible, for as much as they can personally get, and no special-group limits and limiting are going to get the result the various appropriation opponents desire.

 

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Ah, all the myriad uses and abuses

of the world!
A nice morning for a solitary walk at the u.

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Perspective: Via Meister Eckhart

“If the only prayer you said in your whole life was “thank you”, that would suffice.”

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No, you’re not imagining it.

That is the annual influx of female no see ums (also called sandflies, biting gnats, and biting midges) outside that are biting and leaving blood marks on human skin, sometimes in a row. These can itch after a bit, but you have to be careful not to scratch and make the bites bleed. And, yes, they can be more of a nuisance than mosquitoes. Around in May-June. In clouds sometimes. You heard it here first.

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Another Studio Theatre Winner

A fairly, straightforward production of a mysterious Henrik ibsen play adapted reasonably and faithfully by Michael Bradley while retaining the power, conflicts, and mystery of the main character.

Ellida is the lovely lady from the sea, born, raised, and living in sync with the force of the sea and The Wild (at a symbolic level). She is a ‘lost’ character who has to resolve whether to run off with a mysterious seaman (to drown and die are within the realm of possibilities he offers) or to stay with her prosaic earth-bound doctor-husband as his second wife.

Ibsen is exploring, as he did many times, an interesting, complex, enigmatic character (often a woman; c.f.–Hedda Gabbler and Nora Helmer) who has to make a serious choice between self and the group/society under pressure. Ibsen’s sympathies are always with the individual against convention and conformity. But these women protagonists have to flex their will in order to make a break or dramatic change, and sometimes err negatively, as Hedda does, for instance.

This Studio Theatre production at the U of A has a nice, appropriate, flexible symbolic set and soundscape evoking the sound of the sea without being too literal. The cast is uniformly good and costumed. Nicole St. Martin makes an attractive, conflicted Ellida. Her husband-foil Wangel is played effectively by Michael Peng. As the two stepdaughters, Gabby Bernard and Emma Houghton bring out their necessary yearnings and frustrations. Kris Loranger plays Arnholm, a familiar professional, chorus- figure in Ibsen’s work. Billy Brown makes a suitably ill wanna-be movie director and Christian Paul Badiu makes an appropriately stiff, cold, unreal stranger who is Ellida’s tempter.

Only the climax has an air of uncertainty as Ellida exerts some will to make her delayed choice and the viewer is left to wonder if she makes the right and best choices. Ibsen’s Theatre of the Soul is back in Edmonton briefly this week. Check it out if you want something ‘more’ from an interesting little-known play today by the Father of Modern Drama.

7:30 pm nightly; Thursday matinee 12:30 pm.

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The Skin of Our Teeth: Reality, Homeowner-Style

Many homeowners in Canada would not be able to handle an increase in the bank rate. 70% of mortgage-holders would not be able to handle a 10% rise. Only 38% would be able to handle a rise between 1 and 5%.

“The mass of men live lives of quiet desperation.”–Thoreau

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Lipanzzaners: Human and Nature in Perfect Harmony

(The Legendary White Stallions: a highly recommended PBS Nature series DVD.)

An amazing documentary showing the world-famous horses from birth, through adolescence to adulthood to old age, while tracing how the stallions are slowly, carefully, humanely, and sensitively trained. The famous Spanish Riding School of Vienna is featured with an emphasis on the horses’ difficult manoeuvres. A success story showing how a creature of war was turned into a performing work of art. Narrated by F. Murray Abraham. Widescreen 60 minutes. Recommended for anyone fond of horses, interested in process with regard to animal training, and appreciative of the great beauty of nature.

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“It is the essence of genius

to make use of the simplest ideas.–Charles Peguy

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Dorothy Thompson:

“Only when we are no longer afraid do we begin to live.”

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Wed.–A Hard Rain’s Gonna Fall

In Edmo. Gale-style winds. Batten down the hatches. The readiness is all.

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